• Reyaz, Aiman and Tripathi, P. (2017). A Study of the Complex Interiors of the Conscious and the Unconscious in Franz Kafka’s The Trial. International Journal of Humanities and Cultural Studies. vol. 4, no. 2. pp. 238-249.
  • Reyaz, Aiman and Tripathi, P. (2017). Narrating the Narration: Using Joyce’s Molly and Kafka’s Gregor to Show the Nature of Narrative. Language in India. vol. 17, no. 8. pp. 175-189.
  • Bhattacharjee, Partha and Tripathi, P. (2017). Silhouetting the Shifting Perspective of Bollywood from ‘Machismo’ to ‘Metrosexuality’. Journal of English Language and Literature, vol. 8, no. 1. pp. 575-582.
  • Bhattacharjee, Partha and Tripathi, P. (2017). Ethnic Tensions and Political Turmoil: Postcolonial Reading of Chimamanda Ngozi’s Purple Hibiscus. Language in India, vol. 17, no. 2. pp. 443-450.
  • Biswas, Sanjib K and Tripathi, P. (2017). Relocating Women’s Role in War: Rereading Tahmina Anam’s A Golden Age. The Criterion: An International Journal in English, vol. 8, no. 1. pp. 522-528.
  • Tripathi, P. (2016). Reinventing the Intimate Voices: A Close Reading of Indian Women’s Autobiography in English. Consciousness, Literature and the Arts (University of Lincoln), vol. 17, no. 3.
  • Reyaz, Aiman and Tripathi, P. (2016). How Cultures Talk: A Study of Dell Hymes’ Ethnography of Communication. Journal of Humanities and Cultural Studies, vol. 1, no. 3. pp. 40-50.
  • Reyaz, Aiman and Tripathi, P. (2016). Fight with/for the Right: An Analysis of Power-politics in Arundhati Roy’s Walking with the Comrades. ASEBL (New York), vol. 12, no. 1. pp. 64-72.
  • Biswas, Sanjib K and Tripathi, P. (2016). America’s Quest for Spiritualism: Influence of Oriental Philosophy on Select American Poets. Daath Voyage: An International Journal of Interdisciplinary Studies in English, vol. 1, no. 4. pp. 81-93.
  • Reyaz, Aiman and Tripathi, P. (2016). Peeping into the World of Virginia Woolf through A Room of One’s Own. Langlit: An International Peer Reviewed Open Access Journal, vol. 3, no. 1. pp. 461-467.
  • Reyaz, Aiman and Tripathi, P. (2016). Accepting with Grace: Realism, Redemption and Reconciliation in JM Coetzee’s Disgrace. Das Literarisch: A Biannual Peer Reviewed International Referred Journal of English Literary Studies and Creative Writings, vol. 2, no. 1. pp. 41-47.
  • Komalesha, H S and Tripathi, P. (2015). Textures of Diaspora: Tracing the Cursive Scripts in Michael Ondaatje’s Handwriting. Muse India, no. 62. http://www.museindia.com/featurecontent.asp?issid=62&id=5927 .
  • Tripathi, P. and Dipannita Dey. (2015) Baidh/Abaidh: Relationships in Buddhadeva Bose’s It Rained All Night and Dibyendu Palit’s

    Illicit. The Commonwealth Review

    , vol. 24, no. 1. pp. 138-151.
  • Tripathi, P. (2015). Quest for an Alternate Paradigm: A Theoretical Expedition of Women and Indian Public Policy.

    Spectrum: An International Journal of Humanities and Social Sciences

    , vol. 3, no. 1. pp. 5-10.
  • Tripathi, P. and Anupma Singh. (2014). Supernatural Proximity: Fantasy and Fiction in Charles Dickens’s “The Bagman’s Story. IUP Journal of English Studies, vol. 9, no. 2. pp. 29-36.
  • Tripathi, P. (2014). Communal Violence In India: A Reflection of Hindu Muslim Conflicts in Amitava Kumar’s Husband of A Fanatic. Kaav International Journal of English, Literature and Linguistics, vol 1, no. 1. pp. 69-75.
  • Tripathi, P. (2013). Understanding D R Nagaraj’s Gargi Model of Feminism through Indian Women’s Short Fiction in English. Atlantic Literary Review, vol. 14, no. 1. pp. 81-104.
  • Tripathi, P. (2018). Dimensions of Cultural Conflict and Diasporic Sensibilities in Chitra Banerjee Divakaruni’s Arranged Marriage. Sukhadia University Journal of English Literary Studies, vol. 1, no. 1. pp. 76-85.
  • Dey, Dipannita, and Tripathi, P. (2013) Traversing the Terrain of the Past: A Textual Analysis of Anita Desai’s The Zigzag Way. Indian Journal of World Literature and Culture, vol. 9 & 10. pp. 54-62.
  • Tripathi, P. (2018). Shaping Sexuality the Bohemian Way: Physical Relationships in Indian Women’s Short Fiction in English. Families: A Journal of Representations, vol. 9, no. 2 & vol 10, no. 1. pp. 150-165.
  • Tripathi, P. (2012). Women and their Wounded Self: Exploring Indian Women’s Short Fiction in English. IUP Journal of English Studies, vol. 7, no. 4. pp. 19-27.
  • Tripathi, P. (2011). Symbolic Significance of Rain in Indian Women’s Short Fiction in English. Muse-India, no. 44. http://www.museindia.com/featurecontent.asp?issid=44&id=3506
  • Tripathi, P and Komalesha, H S. (2011). Indian Women’s Short Fiction in English: Exploring the Neglected Form. IUP Journal of English Studies, vol. 6, no. 1. pp. 26-31.
  • Tripathi, P and Komalesha, H S. (2011). Changing Names, Shifting Identities: A Discussion of Bharati Mukherjee’s Jasmine. Kafla Intercontinental, An International Journal of Art, Literature and Culture. pp. 73-79.
  • Tripathi, P and Komalesha, H S. (2011). Indian Women’s Short Fiction in English (A Comprehensive Bibliography). Indian Journal of World Literature and Culture, vol. 5 & 6. pp. 111-125.
  • Tripathi, P and Komalesha, H S. (2010). Routing Relationships through Diaspora: Short Fiction of Jhumpa Lahiri.

    Indian Journal of Postcolonial Literatures

    , vol. 10, no. 2, pp. 152-161.
  • Tripathi, P. (2008). Different Worlds, One Journey: Discussion of Mira Nair’s The Namesake. Lemuria. pp. 72-81.
  • Tripathi, P. (2008). Claiming Voice-Women in Manju Kapur’s Home.” Reflections, vol. 7, no. 1. pp. 162-168.