Priyanka Tripathi
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Journal Publications
2022
Dey, D and Tripathi, P. (2022). The Embodied Feminine Self: (Re) Constructing the Ageist Discourse in Select Indian Television Advertisements.
Quarterly Review of Film and Video.
10.1080/10509208.2022.2097574 (Taylor & Francis, Scopus Listed)
Dandapat, S and Tripathi, P. (2022). Making Men out of Boys: Revisiting Connell through Twenty-First Century Indian Picturebooks.
Boyhood Studies,
vol 1, no. 1( Berghahn, Scopus listed)
Vijay, F and Tripathi, P. (2022). Contesting Gender Aesthetics: A Feminocentric Approach to Crime Writing in Select Novels of Kishwar Desai.
Forum for World Literature Studies
, vol.14, no. 2 (Scopus listed)
Tripathi, P., Dwivedi, P S and Sharma, S. (2022) Psychological impact of domestic violence on women in India due to COVID-19.
International Journal of Human Rights in Healthcare
. https://doi.org/10.1108/IJHRH-12-2021-0208 (Emerald Publishing, Scopus Listed)
Tripathi, P. (2022) Cartographies of Sexual Violence from Delhi to Hathras: An Intersectional Feminist Understanding”.
Gender, Place & Culture
(Taylor & Francis, Scopus Listed)
Dey, D and Tripathi, P. (2022). Art and Feminine Iconography: Locating the Aesthetic/Profane body in the
Bharat Mata
Paintings.
National Identities
(Taylor & Francis, Scopus Listed) Kashyap, S., & Tripathi, P. (2022). Woman First: Exploring the Precarity of Motherhood in One Part Woman (2010) and Parched (2015).
Quarterly Review of Film and Video
, 1-19. https://doi.org/10.1080/10509208.2022.2065874. (Taylor & Francis, Scopus Listed)
Tripathi, P., Dwivedi, P S and Sharma, S. (2022). Economic Perspectives on Violence against Women during COVID-19 Crisis: A Case Study of Bihar.
Feminist Research
., vol 6, no. 1. 10.21523/gcj2.22060102. (Gatha Cognition)
Kashyap, S., & Tripathi, P. (2022). ‘Beyond baby-making: review of the film Mimi (2021)’.
Media Asia
, 10.1080/01296612.2022.2045829 (Taylor & Francis, Scopus Indexed)
Basu, Argha and Tripathi, P. (2022). Calibrating the “Feminine” and the “Speculative” in Selective Short Stories of Vandana Singh.
Critique: Studies in Contemporary Fiction
. 10.1080/00111619.2022.2057213. (Taylor & Francis, Scopus listed)
Anand, Ajit and Tripathi, P. (2022) Anand, Ajit and Tripathi, Priyanka. "Topoanalysis and the City Space in the Literary Writings of Amitava Kumar"
Open Cultural Studies
, vol. 6, no. 1, 2022, pp. 64-75.
https://doi.org/10.1515/culture-2022-0143
(Scopus listed)
Kashyap, Soumya, and Tripathi, P. (2022) “We’re just business. We’re not people”: Revisiting Surrogacy through Amulya Malladi’s, A House for Happy Mothers”
Journal of Gender Studies.
10.1080/09589236.2022.2041408
(Taylor & Francis, Scopus listed)
Bhattacharjee, Partha, and Tripathi, P. (2022). Spit bubbles, speech bubbles, and COVID-19: Creating comics in the age of post-infection India.
Journal of Visual Communication in Medicine
, 2022.
10.1080/17453054.2022.2037408
(Taylor & Francis, Scopus listed)
2021
Dey, D and Tripathi, P. (2021). Understanding the Efficacy of Teleconsultation in Assuaging Abuse against Indian Women during Covid-19 outbreak.
Journal of Content, Community & Communication
, vol 13, issue 2, pp. 197-209 (Scopus Listed)
Anand, A and Tripathi, P. (2021). Analyzing The ‘Abject’: A Negotiation Through Extremism And Subalternity in Amitava Kumar’s
Husband Of A Fanatic. Journal for the Study of Religions and Ideologies
, vol. 20, issue 60, pp 34-47 (Scopus Listed)
Dey, D and Tripathi, P. (2021). Rethinking Solidarity: De (Gendered) Empathy and (Inter) Subjectivity in Rituporno Ghosh’s Films.
https://replito.pubpub.org/pub/r4km6zql/release/1
Kashyap, S and Tripathi, P. (2021). “A Grim Future of Mothers-To-Be in Post-COVID India” Feminism in India,
https://feminisminindia.com/2021/08/12/covid-19-maternal-health-india/
Das, C and Tripathi, P. (2021). Exploring the Margins: Reconstructing a Courtesan’s life in Neelum Saran Gour’s
Requiem in Raga Janki. CLCWeb: Comparative Literature and Culture
(Purdue University, Scopus Listed) forthcoming
Das, C and Tripathi, P. (2021). Conceptualizing In-Text ‘Kshetra’: Post-colonial Allahabad’s Cultural Geography between Introspection and Politics in Neelum Saran Gour’s
Allahabad Aria and Invisible Ink. Text Matters: A Journal of Literature, Theory and Culture
(University of Łódź, Scopus listed) forthcoming
Das, C and Tripathi, P. (2021). Place-Identity, People, and Existence: Reorienting Heideggerian ‘Dasein’ towards Postmodern Literary Geography of Allahabad City in Neelum Saran Gour’s Select Narratives"
Interdisciplinary Literary Studies: A Journal of Criticism and Theory
(PENN State University Press, Scopus listed) forthcoming
Das, C and Tripathi, P. (2021). Through the lens of Gender: Makeover of ‘Atmanirbhar Bharat’, Labour Migration and Covid-19 Pandemic.
Indian Journal of Public Administration
(SAGE publications) forthcoming)
Bhattacharjee, Partha, and Priyanka Tripathi. (2021). Performance beyond the Panel: (S)exploitation and Trafficking in Ram Devineni’s
Priya and the Lost Girls. Journal of Gender Studies
. https://doi.org/10.1080/10.1080/09589236.2021.1950660 (Taylor & Francis, Scopus listed)
Das, C and Tripathi, P. (2021). Poetics and Politics of Literary Cartography: Secular Allahabad in Neelum Saran Gour’s
Invisible Ink and Requiem in Raga Janki. GeoHumanities
. https://doi.org/10.1080/2373566X.2021.1903813. (Taylor & Francis)
Vijay, Febin and Tripathi, P. (2021). Interrogating Strategies of Justice and Racial Politics: A Post-colonial Reading of Abir Mukherjee’s
A Rising Man. Rupkatha Journal of Interdisciplinary Studies in Humanities
, DOI: 10.21659/rupkatha.v13n2.20 (Scopus listed)
Khan, Tariq and Tripathi, P. (2021). Editorial.
Rupkatha Journal of Interdisciplinary Studies in Humanities
, vol 13, no.1 (Scopus listed)
Dey, Debashrita and Tripathi, P. (2021). Reconceptualising the (In) Visible Aging Self of Women in Select Bengali Films.
South Asian Popular Culture
. 10.1080/14746689.2021.1965312. (Taylor & Francis, Scopus listed)
Yashraj, V and Tripathi, P. (2021).It’s About Me!: Un(dress)ing Hindi Celluloid Feminine Subjective I-dentity.
Media Watch
. (Scopus listed)
Pal, Bidisha, Partha Bhattacharjee, and Priyanka Tripathi. (2021). Gendered and Casteist Body: Cast(e) ing and Castigating the Female Body in select Bollywood Films.
Journal of International Women’s Studies
. (Bridgewater State University, Scopus listed) September issue
2020
Tripathi, P
and Das, C. (2020). Social Distancing and Sex Workers in India.
Economic & Political Weekly
, vol. 55, no. 31 (Sameeksha Trust, Scopus listed)
Biswas, S K. and
Tripathi, P
. (2020). Cartographies of Struggle: Remapping the Plight of Bengali Women in/after the 1971 War in Kamila Shamsie’s
Kartography. Journal of Gender Studies
, https://doi.org/10.1080/09589236.2020.1833184 (Taylor & Francis, Scopus listed)
Biswas, Sanjib K and
Tripathi, P
. History and/through Oral Narratives: Relocating Women of the 1971 War of Bangladesh in Neelima Ibrahim’s
A War Heroine, I Speak. Journal of International Women’s Studies
. vol. 21, no. 1 (Bridgewater State University, Scopus listed)
Dwivedi, P S and
Tripathi, P
. (2020). Understanding The Gender Biases In Modern And Pre-Modern Times Through
Mrcchakatika and Utsav. Rupkatha Journal of Interdisciplinary Studies in Humanities
, (Aesthetics Media Services, Scopus listed)
Das, C and
Tripathi, P
. (2020). Experiencing the Riverscape: An Eco-Spiritual Decoding of Gangetic ‘Triveni-Sangam’ in select writings of Neelum Saran Gour.
Open Cultural Studies
https://doi.org/10.1515/culture-2020-0009 (De Gryuter, Scopus listed)
Biswas, S K, and
Tripathi, P
. (2020). Representation of Gendered Violence and 1971 War of Bangladesh: A Case Study.
IUP Journal of English Studies
. vol. 16, no. 2 (IUP Publications, Scopus listed)
Das, C. and
Tripathi, P
. (2020). Reconstructing the Changing Urban Landscape beyond Spatio-Temporal Dimensions: Post-colonial ‘Allahabad’ in Neelum Saran Gour’s
Invisible Ink. Rupkatha Journal of Interdisciplinary Studies in Humanities
, vol. 12, No. 1, January-March, 2020. pp-1-8 (Aesthetics Media Services, Scopus indexed)
Das, C. and
Tripathi, P
. (2020). Decoding the Postcolonial Geo-linguistic Sangam in Allahabad: A study of Neelum Saran Gour’s
Requiem in Raga Janki. IUP Journal of English Studies
. vol. 15, no.3 (
IUP Publications
, Scopus listed)
Tripathi, P
and Khan, T. (2020). Editorial: Focus.
IUP Journal of English Studies
. vol. 15, no.3 (
IUP Publications
, Scopus listed)
10.Das, C. and
Tripathi, P
. (2020). Re-contextualizing the lives of Courtesans’ in Neelum Saran Gour’s
Requiem in Raga Janki
and Vikram Sampath’s
My Name is Gauhar Jaan. Indian Literature
, no. 315 (Sahitya Akademi)
Tripathi, P
and Kumar, U. (2020). Translated Rajinder Singh Bedi’s short story “Quarantine” in English.
Indian Literature
, no. 317 (Sahitya Akademi)
Yashraj, V. and
Tripathi, P
. (2020) Dimensions of Narrative through Dress: Portrayal of the Marginalized in Satyajit Ray’s
Sadgati. Contemporary Literary Review India
, vol 7, no 4.
Dandapat, S and
Tripathi, P
. (2020) Shift of Language in the Digital Age: ‘Power up’ or ‘Threat’?”
ELT Weekly
, vol.11, no 9.
Das, C. and
Tripathi, P
. (2020) Female Subjectivity’ within and beyond Victorian ‘Purity: Rereading Thomas Hardy’s Tess of the D’Urbervilles.
Indian Review of World Literature
in English, vol. 16, no. 1.
2019
Bhattacharjee, P. and
Tripathi, P
. (2019) When a Violated Body Strikes/Writes Back: Unveiling the Violence in Meena Kandasamy’s
When I Hit You: Or, a Portrait of the Writer as a Young Wife. Atlantic Literary Review
, vol. 20, no. 2, pp. 47-63. (Atlantic Publishers)
2.Bhattacharjee, Partha and
Tripathi, P
. (2019). Negotiating the Social Struggle: Deconstructing the Dalit Subalternity in Omprakash Valmiki's
Joothan: A Dalit's Life. IUP Journal of English Studies
. vol. 14, no.1. pp. 34-41 (IUP Publications, Scopus listed)
Bhattacharjee, Partha and
Tripathi, P
. (2019). Cha(Lle)Nging The World Of Stereotypes: The Proliferation Of Postcolonial Comics And Visual Narratives In India.
Postcolonial Studies Association Newsletter
. Issue 23. (Postcolonial Association)
Bhattacharjee, Partha and
Tripathi, P
. (2019). Traumics: Genesis and Journey of Trauma Narratives in Comics.
GNOSIS (An International Journal of English Language & Literature
), vol. 5, no. 3. pp. 26-44.
Reyaz, Aiman, and
Tripathi, P
. (2019). To Animalise is Humane, to Humanise is Animal: Exploring Kafka’s “The Metamorphosis” through the Lens of Realism and Anti-Realism.
Ars Artium
, vol. 7, no.1. pp. 85-93.
Bhattacharjee, Partha and
Tripathi, P
. (2019). Disease’ and Visual Rhetorics of Disability: Comics and Autopathography in the Works of Alison Bechdel.
GNOSIS (An International Journal of English Language & Literature)
, vol. 5, no. 1. pp. 263-274.
2018
Biswas, Sanjib K and
Tripathi, P
. (2018). The Blame Game: War and Violence in Dilruba Z. Aras Blame.
Asiatic: IIUM Journal of English Language and Literature
, vol. 12, no. 1. pp.43-58. (Scopus listed)
Anand, Ajit and
Tripathi, P. (2018)
. ‘Experiencing the City’: Decoding the Spatial Construction of ‘Patna’ in Select Writings of Amitava Kumar.
Atlantic Literary Review
, vol. 19, no.3. pp. 65-80 (Atlantic Publishers)
Tripathi, P
. (2018). Voicing through the Veil: Exploring ‘the marginal space’ in the Writings of Rashid Jahan.
Journal of Comparative Literature and Aesthetics
. vol. 41, no. 2. pp. 76-81.
Yashraj, Vinayak and
Tripathi, P
. (2018). Emergence of Cultural and Fashion Uniqueness from Bihar (India) rooted in Its Distinctive Regional Background.
American Journal of Art and Design
, vol. 3, no. 3. pp. 26-32.
Bhattacharjee, Partha and
Tripathi, P
. (2018). Decoding the Visual Rhetoric: Memory and Trauma in Lynda Barry’s One! Hundred! Demons!”
World Journal of English Language
, vol. 8, no.2. pp. 37-42.
Tripathi, P
. (2018). Traversing the Terrain of Indian Feminism and Indian Sexuality.
Indian Literature
(Sahitya Akademi), no. 303. pp. 181 – 195.
Reyaz, Aiman and
Tripathi, P
. (2018). Sexuality and Shaping of the Blooming Psyche of Molly in James Joyce’s Ulysses.
The Indian Review of World Literature in English
, vol. 14, no. 1. pp. 53-60.