2022
  • Dey, D and Tripathi, P. (2022). The Embodied Feminine Self: (Re) Constructing the Ageist Discourse in Select Indian Television Advertisements. Quarterly Review of Film and Video. 10.1080/10509208.2022.2097574 (Taylor & Francis, Scopus Listed)
  • Dandapat, S and Tripathi, P. (2022). Making Men out of Boys: Revisiting Connell through Twenty-First Century Indian Picturebooks. Boyhood Studies, vol 1, no. 1( Berghahn, Scopus listed)
  • Vijay, F and Tripathi, P. (2022). Contesting Gender Aesthetics: A Feminocentric Approach to Crime Writing in Select Novels of Kishwar Desai. Forum for World Literature Studies, vol.14, no. 2 (Scopus listed)
  • Tripathi, P., Dwivedi, P S and Sharma, S. (2022) Psychological impact of domestic violence on women in India due to COVID-19. International Journal of Human Rights in Healthcare. https://doi.org/10.1108/IJHRH-12-2021-0208 (Emerald Publishing, Scopus Listed)
  • Tripathi, P. (2022) Cartographies of Sexual Violence from Delhi to Hathras: An Intersectional Feminist Understanding”. Gender, Place & Culture (Taylor & Francis, Scopus Listed)
  • Dey, D and Tripathi, P. (2022). Art and Feminine Iconography: Locating the Aesthetic/Profane body in the Bharat Mata Paintings. National Identities (Taylor & Francis, Scopus Listed) Kashyap, S., & Tripathi, P. (2022). Woman First: Exploring the Precarity of Motherhood in One Part Woman (2010) and Parched (2015). Quarterly Review of Film and Video, 1-19. https://doi.org/10.1080/10509208.2022.2065874. (Taylor & Francis, Scopus Listed)
  • Tripathi, P., Dwivedi, P S and Sharma, S. (2022). Economic Perspectives on Violence against Women during COVID-19 Crisis: A Case Study of Bihar. Feminist Research., vol 6, no. 1. 10.21523/gcj2.22060102. (Gatha Cognition)
  • Kashyap, S., & Tripathi, P. (2022). ‘Beyond baby-making: review of the film Mimi (2021)’.Media Asia , 10.1080/01296612.2022.2045829 (Taylor & Francis, Scopus Indexed)
  • Basu, Argha and Tripathi, P. (2022). Calibrating the “Feminine” and the “Speculative” in Selective Short Stories of Vandana Singh. Critique: Studies in Contemporary Fiction. 10.1080/00111619.2022.2057213. (Taylor & Francis, Scopus listed)
  • Anand, Ajit and Tripathi, P. (2022) Anand, Ajit and Tripathi, Priyanka. "Topoanalysis and the City Space in the Literary Writings of Amitava Kumar" Open Cultural Studies, vol. 6, no. 1, 2022, pp. 64-75. https://doi.org/10.1515/culture-2022-0143 (Scopus listed)
  • Kashyap, Soumya, and Tripathi, P. (2022) “We’re just business. We’re not people”: Revisiting Surrogacy through Amulya Malladi’s, A House for Happy Mothers” Journal of Gender Studies. 10.1080/09589236.2022.2041408 (Taylor & Francis, Scopus listed)
  • Bhattacharjee, Partha, and Tripathi, P. (2022). Spit bubbles, speech bubbles, and COVID-19: Creating comics in the age of post-infection India. Journal of Visual Communication in Medicine, 2022. 10.1080/17453054.2022.2037408 (Taylor & Francis, Scopus listed)
2021
  • Dey, D and Tripathi, P. (2021). Understanding the Efficacy of Teleconsultation in Assuaging Abuse against Indian Women during Covid-19 outbreak. Journal of Content, Community & Communication, vol 13, issue 2, pp. 197-209 (Scopus Listed)
  • Anand, A and Tripathi, P. (2021). Analyzing The ‘Abject’: A Negotiation Through Extremism And Subalternity in Amitava Kumar’s Husband Of A Fanatic. Journal for the Study of Religions and Ideologies, vol. 20, issue 60, pp 34-47 (Scopus Listed)
  • Dey, D and Tripathi, P. (2021). Rethinking Solidarity: De (Gendered) Empathy and (Inter) Subjectivity in Rituporno Ghosh’s Films. https://replito.pubpub.org/pub/r4km6zql/release/1
  • Kashyap, S and Tripathi, P. (2021). “A Grim Future of Mothers-To-Be in Post-COVID India” Feminism in India, https://feminisminindia.com/2021/08/12/covid-19-maternal-health-india/
  • Das, C and Tripathi, P. (2021). Exploring the Margins: Reconstructing a Courtesan’s life in Neelum Saran Gour’s Requiem in Raga Janki. CLCWeb: Comparative Literature and Culture (Purdue University, Scopus Listed) forthcoming
  • Das, C and Tripathi, P. (2021). Conceptualizing In-Text ‘Kshetra’: Post-colonial Allahabad’s Cultural Geography between Introspection and Politics in Neelum Saran Gour’s Allahabad Aria and Invisible Ink. Text Matters: A Journal of Literature, Theory and Culture (University of Łódź, Scopus listed) forthcoming
  • Das, C and Tripathi, P. (2021). Place-Identity, People, and Existence: Reorienting Heideggerian ‘Dasein’ towards Postmodern Literary Geography of Allahabad City in Neelum Saran Gour’s Select Narratives" Interdisciplinary Literary Studies: A Journal of Criticism and Theory (PENN State University Press, Scopus listed) forthcoming
  • Das, C and Tripathi, P. (2021). Through the lens of Gender: Makeover of ‘Atmanirbhar Bharat’, Labour Migration and Covid-19 Pandemic. Indian Journal of Public Administration (SAGE publications) forthcoming)
  • Bhattacharjee, Partha, and Priyanka Tripathi. (2021). Performance beyond the Panel: (S)exploitation and Trafficking in Ram Devineni’s Priya and the Lost Girls. Journal of Gender Studies. https://doi.org/10.1080/10.1080/09589236.2021.1950660 (Taylor & Francis, Scopus listed)
  • Das, C and Tripathi, P. (2021). Poetics and Politics of Literary Cartography: Secular Allahabad in Neelum Saran Gour’s Invisible Ink and Requiem in Raga Janki. GeoHumanities. https://doi.org/10.1080/2373566X.2021.1903813. (Taylor & Francis)
  • Vijay, Febin and Tripathi, P. (2021). Interrogating Strategies of Justice and Racial Politics: A Post-colonial Reading of Abir Mukherjee’s A Rising Man. Rupkatha Journal of Interdisciplinary Studies in Humanities, DOI: 10.21659/rupkatha.v13n2.20 (Scopus listed)
  • Khan, Tariq and Tripathi, P. (2021). Editorial. Rupkatha Journal of Interdisciplinary Studies in Humanities, vol 13, no.1 (Scopus listed)
  • Dey, Debashrita and Tripathi, P. (2021). Reconceptualising the (In) Visible Aging Self of Women in Select Bengali Films. South Asian Popular Culture. 10.1080/14746689.2021.1965312. (Taylor & Francis, Scopus listed)
  • Yashraj, V and Tripathi, P. (2021).It’s About Me!: Un(dress)ing Hindi Celluloid Feminine Subjective I-dentity. Media Watch. (Scopus listed)
  • Pal, Bidisha, Partha Bhattacharjee, and Priyanka Tripathi. (2021). Gendered and Casteist Body: Cast(e) ing and Castigating the Female Body in select Bollywood Films. Journal of International Women’s Studies. (Bridgewater State University, Scopus listed) September issue
2020
  • Tripathi, P and Das, C. (2020). Social Distancing and Sex Workers in India. Economic & Political Weekly, vol. 55, no. 31 (Sameeksha Trust, Scopus listed)
  • Biswas, S K. and Tripathi, P. (2020). Cartographies of Struggle: Remapping the Plight of Bengali Women in/after the 1971 War in Kamila Shamsie’s Kartography. Journal of Gender Studies, https://doi.org/10.1080/09589236.2020.1833184 (Taylor & Francis, Scopus listed)
  • Biswas, Sanjib K and Tripathi, P. History and/through Oral Narratives: Relocating Women of the 1971 War of Bangladesh in Neelima Ibrahim’s A War Heroine, I Speak. Journal of International Women’s Studies. vol. 21, no. 1 (Bridgewater State University, Scopus listed)
  • Dwivedi, P S and Tripathi, P. (2020). Understanding The Gender Biases In Modern And Pre-Modern Times Through Mrcchakatika and Utsav. Rupkatha Journal of Interdisciplinary Studies in Humanities, (Aesthetics Media Services, Scopus listed)
  • Das, C and Tripathi, P. (2020). Experiencing the Riverscape: An Eco-Spiritual Decoding of Gangetic ‘Triveni-Sangam’ in select writings of Neelum Saran Gour. Open Cultural Studies https://doi.org/10.1515/culture-2020-0009 (De Gryuter, Scopus listed)
  • Biswas, S K, and Tripathi, P. (2020). Representation of Gendered Violence and 1971 War of Bangladesh: A Case Study. IUP Journal of English Studies. vol. 16, no. 2 (IUP Publications, Scopus listed)
  • Das, C. and Tripathi, P. (2020). Reconstructing the Changing Urban Landscape beyond Spatio-Temporal Dimensions: Post-colonial ‘Allahabad’ in Neelum Saran Gour’s Invisible Ink. Rupkatha Journal of Interdisciplinary Studies in Humanities, vol. 12, No. 1, January-March, 2020. pp-1-8 (Aesthetics Media Services, Scopus indexed)
  • Das, C. and Tripathi, P. (2020). Decoding the Postcolonial Geo-linguistic Sangam in Allahabad: A study of Neelum Saran Gour’s Requiem in Raga Janki. IUP Journal of English Studies. vol. 15, no.3 (IUP Publications, Scopus listed)
  • Tripathi, P and Khan, T. (2020). Editorial: Focus. IUP Journal of English Studies. vol. 15, no.3 (IUP Publications, Scopus listed)
  • 10.Das, C. and Tripathi, P. (2020). Re-contextualizing the lives of Courtesans’ in Neelum Saran Gour’s Requiem in Raga Janki and Vikram Sampath’s My Name is Gauhar Jaan. Indian Literature, no. 315 (Sahitya Akademi)
  • Tripathi, P and Kumar, U. (2020). Translated Rajinder Singh Bedi’s short story “Quarantine” in English. Indian Literature, no. 317 (Sahitya Akademi)
  • Yashraj, V. and Tripathi, P. (2020) Dimensions of Narrative through Dress: Portrayal of the Marginalized in Satyajit Ray’s Sadgati. Contemporary Literary Review India, vol 7, no 4.
  • Dandapat, S and Tripathi, P. (2020) Shift of Language in the Digital Age: ‘Power up’ or ‘Threat’?” ELT Weekly, vol.11, no 9.
  • Das, C. and Tripathi, P. (2020) Female Subjectivity’ within and beyond Victorian ‘Purity: Rereading Thomas Hardy’s Tess of the D’Urbervilles. Indian Review of World Literature in English, vol. 16, no. 1.
2019
  • Bhattacharjee, P. and Tripathi, P. (2019) When a Violated Body Strikes/Writes Back: Unveiling the Violence in Meena Kandasamy’s When I Hit You: Or, a Portrait of the Writer as a Young Wife. Atlantic Literary Review, vol. 20, no. 2, pp. 47-63. (Atlantic Publishers)
  • 2.Bhattacharjee, Partha and Tripathi, P. (2019). Negotiating the Social Struggle: Deconstructing the Dalit Subalternity in Omprakash Valmiki's Joothan: A Dalit's Life. IUP Journal of English Studies. vol. 14, no.1. pp. 34-41 (IUP Publications, Scopus listed)
  • Bhattacharjee, Partha and Tripathi, P. (2019). Cha(Lle)Nging The World Of Stereotypes: The Proliferation Of Postcolonial Comics And Visual Narratives In India. Postcolonial Studies Association Newsletter. Issue 23. (Postcolonial Association)
  • Bhattacharjee, Partha and Tripathi, P. (2019). Traumics: Genesis and Journey of Trauma Narratives in Comics. GNOSIS (An International Journal of English Language & Literature), vol. 5, no. 3. pp. 26-44.
  • Reyaz, Aiman, and Tripathi, P. (2019). To Animalise is Humane, to Humanise is Animal: Exploring Kafka’s “The Metamorphosis” through the Lens of Realism and Anti-Realism. Ars Artium, vol. 7, no.1. pp. 85-93.
  • Bhattacharjee, Partha and Tripathi, P. (2019). Disease’ and Visual Rhetorics of Disability: Comics and Autopathography in the Works of Alison Bechdel. GNOSIS (An International Journal of English Language & Literature), vol. 5, no. 1. pp. 263-274.
2018
  • Biswas, Sanjib K and Tripathi, P. (2018). The Blame Game: War and Violence in Dilruba Z. Aras Blame. Asiatic: IIUM Journal of English Language and Literature, vol. 12, no. 1. pp.43-58. (Scopus listed)
  • Anand, Ajit and Tripathi, P. (2018). ‘Experiencing the City’: Decoding the Spatial Construction of ‘Patna’ in Select Writings of Amitava Kumar. Atlantic Literary Review, vol. 19, no.3. pp. 65-80 (Atlantic Publishers)
  • Tripathi, P. (2018). Voicing through the Veil: Exploring ‘the marginal space’ in the Writings of Rashid Jahan. Journal of Comparative Literature and Aesthetics. vol. 41, no. 2. pp. 76-81.
  • Yashraj, Vinayak and Tripathi, P. (2018). Emergence of Cultural and Fashion Uniqueness from Bihar (India) rooted in Its Distinctive Regional Background. American Journal of Art and Design, vol. 3, no. 3. pp. 26-32.
  • Bhattacharjee, Partha and Tripathi, P. (2018). Decoding the Visual Rhetoric: Memory and Trauma in Lynda Barry’s One! Hundred! Demons!” World Journal of English Language, vol. 8, no.2. pp. 37-42.
  • Tripathi, P. (2018). Traversing the Terrain of Indian Feminism and Indian Sexuality. Indian Literature (Sahitya Akademi), no. 303. pp. 181 – 195.
  • Reyaz, Aiman and Tripathi, P. (2018). Sexuality and Shaping of the Blooming Psyche of Molly in James Joyce’s Ulysses. The Indian Review of World Literature in English, vol. 14, no. 1. pp. 53-60.